Various – Stuart Hall, Conversations, Projects and Legacies (Goldsmiths Press)
John Akomfrah’s wonderful Stuart Hall Project endearingly shows how in love with the music of Miles Davis Stuart Hall was.
It isn’t a facile part of Hall’s biography, this. Think about it: Miles Davis is always identifiably ‘Miles’, during The Birth of the Cool period, in the fusion cauldron of Bitches Brew and Get Up With It, and playing ‘Time After Time’ in the 1980s. Miles Davis both reacted to and shaped the music of each period he lived through.
Similarly, Stuart Hall both reacted to and shaped the discourses of the times he lived through. In Britain, yes – although a diasporic Britain few could even see at the start of the New Left project – and via journal articles, books and teaching, rather than through music.
Equally, the archive Hall leaves us is as essential to take forward as that of Miles Davis, and as difficult to match, let alone better. The purpose of this book is a retrospective celebration of Hall’s work, coming out of the proceedings of the celebratory conference at Goldsmiths after Stuart Hall’s death.
Some of these articles were written to be spoken at that event, and that purpose juts out of the text a little. Some of the material has also been well-covered elsewhere, Hall’s relationship with the British new left for instance, but the best material here explains how the written work of Stuart Hall can be used in the moment we are in to allow us to diagnose it and try to do something about it. For that alone this book is essential.
This book is organised into sections: Part One, Cultural Studies, Multiple Legacies; Part Two, the Politics of Conjuncture; Part Three, Identities and the Redefinition of Politics; Part Four, Policy, Practice and Creativity; Part Five, the International Expansion and Extension of Cultural Studies and Part Six, the Intellectual Legacies of Policing the Crisis.
Paul’s widow Catherine provides the Afterword and there is an engaging set of introductions.
The first set of essays frame the context to an extent. James Curran, the great media theorist, explores Stuart Hall’s early work and shows how wilfully neglected it has been, as though all writers have to have some kind of initial period of development, which is always a priori to be dismissed, before we get round to the ‘serious later work’, it is not the case with Stuart Hall. Like Miles Davis, Hall was on it all the way through.
Part Two is the richest section in terms of the immediate present and future. The politics of conjuncture are precisely the things we need to revisit now, in 2018. John Clark’s analysis of Hall’s conjunctural methods contains precisely the suggestion that we turn back to them now.
But now we have an academic milieu which has drifted very far from this kind of work. We have, on the one hand, macro big data surveys grounded in a kind of neo-Kantianism, often instrumentalised work, and on the other hand the frayed remains of the erroneously named ‘post-structuralism’; the infra-analysis of cultural texts which seem to be sealed, which seem not to emerge from the real world, and I use the term ‘real’ in a general sociological sense here.
For Clarke and others, conjunctural analysis is difficult and requires collaboration, it depends ‘on the building and sustenance of various forms of collaboration’, which ‘were at the heart of the CCCS project’. It is, then, completely at odds with the individualistic and careerist trajectory of the neoliberal university and in it we might find a negation and way out of that impasse too.
Conjunctural analysis contains the need to ‘resist the temptations of various forms of lazy theoretical reductionism’, whether ‘in the modes of fundamentalist Marxism or technological determinism’, and to avoid falling ‘into the trap of believing that everything is necessarily predetermined’ and ‘recognise that our task is also to identify and pursue the specific forms of marginal, residual and emergent cultures’.
This last need of course emerges from Stuart’s friend the late Raymond Williams. Conjunctural analysis also tallies with some things in Jameson – cognitive mapping for instance – and in Neil Smith, David Harvey et al.
But this is Marxist analysis without the blinkers, as much as that is ever possible. It doesn’t contain the religious belief, nor the comfort of finding ‘out there’ the signs we are looking for, but it can show us what is assembled and where the tensions and contradictions lie.
Clarke argues that conjunctural analysis presents ‘the exact opposite of the dominant modalities produced by the contemporary pressures of academic institutional life.’ Pressures that ‘continually induce competitive forms of academic careerism, characteristically involving forms of self-promotion’, via which people maintain positions and progress.
Therefore ‘individuals must claim to have made ever more exciting and definitive intellectual breakthroughs’. We can see the arrogant new orthodoxies being hastily pushed through conferences now, ‘Metamodernism’, ‘the new depthiness’, both of which are not just ‘meta’ but entirely orbital. There is no new depth here, only the old thinness of postmodernity rebranded.
Stuart Hall’s project of conjunctural analysis outlines that macro research should be rooted in the multiple realities of the nationstate, in politics, in capitalism, in the masses, in the movement of people across borders, and of course now in the resistance of the movement of people across borders. Here also lies the crucial importance of this book to the future.
Tony Jefferson’s contribution, ‘Race, Immigration and the Present Conjuncture’ sutures those conjunctural methods to Britain’s contemporary moment of Brexit via a great reading of Shane Meadows’ film This is England. Jefferson describes how racism shapeshifts into different forms, how we can never find the pure racist anymore than we can find the pure outsider or the pure alien.
Part Six, then, The Intellectual Legacies of Policing the Crisis, is one sole essay – by Angela Davis no less – who argues that Hall’s book Policing the Crisis should be applied to America. I tend to think that America’s race situation and its policing is in fact much more pronounced and severe than in Britain – even with the vile racist nicks in London and elsewhere proceeding relatively unchallenged – and therefore it might be the other way around. This demonstrates just how powerful and influential Hall’s work has been. It was often rooted in a hybrid sense of Britain, but it has projected out, way beyond its own original context.
Again, Stuart Hall both reacted to and shaped the discourses of the times he lived through, but his work will also continue to shape those discourses into the future, and in that we can find some much-needed sustenance and purpose.